Let's talk about Yupo!

Ahhh Yupo!  My new most favourite thing ever! I've gotten a lot of questions since I posted my recent experiments the other day on Instagram, so thought I'd take the opportunity to tell you what I know.

I have heard people talking about Yupo for ages, but really didn't have a clue what they were on about.  UNTIL NOW!  

I happened to find myself in my local art shop last week - you know those days where you 'pop' in to buy one 'essential' thing and walk out with a whole bag (read car-load!) of stuff and no money left in your account!?  Yeah it was one of those days!  

Now generally, paint is my go-to when it comes to unnecessary retail therapy, but I happened to find myself meandering down the art paper aisle.  As I was mulling over the various pros and cons of watercolour versus mixed media paper versus canvas paper, I happened upon...YUPO!

I have never seen it before in art shops here in Dubai, and had vague recollections of people raving about it, so thought I would give it a go.  I love to experiment - so anything that presents a new way of working instantly gets me excited!  In laymans terms, I would describe Yupo as a non-absorbent paper, with a satin-like finish that is the total opposite of watercolour paper.  According to the supplier website (www.yupousa.com) "YUPO is the 100% recyclable, waterproof, tree-free Synthetic Paper with attributes and properties that make it the perfect solution for a variety of marketing, design, packaging and labeling needs."  Because the paper is non-absorbent, wet media (such as watercolours, inks, fluid acrylics etc.) behave completely differently than they would on traditional watercolour paper so you are able to get a variety of really interesting effects.

The pieces shown here are my first attempts at experimenting with this paper.  All I used was watered down fluid acrylics and a spray bottle!  I am going to see how these hold up to more fluid layers once they've dried, and would love to try adding other types of media such as oil pastels, inks and marker pens etc. 

As a side note, I don't know what prices are like in the rest of the world, but art supplies in general are pretty expensive here in Dubai.  This pad (containing 10 sheets) cost AED119. (Yup, there's a reason for the term 'starving artist')! I bought mine from Creative Minds in Dubai - but will be exploring whether other art shops stock it in the next coming weeks. 

I hope I've given you some inspiration to give Yupo a go if you get the chance. 

As always, if you have any questions, comments or suggestions then I'd love to hear from you!  Have you tried using Yupo before?  What are your thoughts? 

Sara xo

 

Aims and Intentions for 2017

Happy New Year!  

I have high hopes for 2017, I don't really know why.  I just have a good feeling about it all.  I feel like it will be a time of great change in both my personal and professional life.  Let's hope it's all good - we could all do with more good in our lives. 

First off, I would like to send out a BIG heartful THANK YOU to all of the wonderful people who have loved and supported me on my life's journey this year.  I honestly couldn't have done it without you.  You picked me up on days when I've felt low, and have been there to celebrate all of my successes.  From the bottom of my heart, thank you!

I am not big on setting resolutions.  For some reason the idea has never appealed to me, and they make you feel like you are 'falling short' if for some reason they are not met.  Which I'm not a huge fan of.  On the other hand I love the idea of setting intentions for the new year, and thought you might be interested in hearing about a few of mine. 

Self Love.  This is a big one for me as I am my own biggest critic.  I would like to be kinder to myself and know that sometimes it's ok to fail.  Not everything has to work out exactly as planned.  At the end of the day it is all part of the learning process. 

Focus.  (Even on the boring stuff!).  I get so caught up in all the fun parts such as experimenting and creating that I sort of let everything else slide.  What I've come to realise is that it is ALL important.. whether it's updating my website, replying to emails or editing photos, I need to stop procrastinating and get it done.

Connecting.  I would like to make more connections in the art world.  I feel like I am finally reaching a place where I am creating work that I am proud of and I would love for it to be seen by a wider audience.  This is really hard for me though - I am quite happy to shut myself away to create the work, but I am not so great at putting myself out there and 'selling' myself.  I think that this will be something that I will have to work on throughout my life, but you have to start somewhere.  Even if it is just with baby steps.

I have a lot to work on, but I'm hoping that the journey will be a fun one.  Here's to the new year and to new beginnings.  My wish is that it is filled with huge amounts of love, laughter, health, and happiness! 

Sara xo​

Bloom True With Brave Intuitive Painting! - A Review

First things first - I would just like to state that I am in NO way affiliated with Flora Bowley and all her amazingness (although I wish I was!). All of the following thoughts and opinions are completely my own. 

I first learnt about Flora when I bought her book "Brave Intuitive Painting" - if you haven't read it then you need to!  (Her second book is out soon, and I've already got it on pre-order!  Yes, I'm a super fan!). A couple of pages into the book I was so inspired to find out more about the woman that wrote it that I jumped onto Google and quickly found her amazing website: https://florabowley.com/ (Seriously, her website is pretty incredible).  I then signed up for her e-course and her monthly studio diaries - I kid you not, this literally all happened within about an hour!!

Her e-course is called Bloom True and honestly it is probably one of the BEST courses I've ever done, online or otherwise.  To be honest, I was a little bit wary of signing up to an e-course because I felt that it just wouldn't be quite the same as being in a classroom environment.   It does take a while to get your head around a new way of working, but I love the flexibility that you get in being able to take things at your own pace, and to absorb all of the information as slowly (or quickly in my case!) as you feel comfortable with.  

The course is literally PACKED full of videos, interviews, playlists, meditations, Q&A sessions and exercises to really focus your intentions and find your inner voice.  Flora describes and demonstrates her entire process from start to finish in such an approachable and supportive way that you instantly feel as if you've not only made a new friend but also, and perhaps more importantly that you CAN do this!  Plus you automatically get access to a Facebook group where you can share your work with other course members as well as get advice, motivation and inspiration whenever you need it.

Bloom True has had such a huge impact on all aspects of my art practice.  It has not only given me new tools and ways of working, but has also changed the way I feel about my work, and how I approach it on a daily basis.  Flora shows you the way that she works but also gives you the freedom and the encouragement to find your own voice.  This for me has been life-changing! 

I have been drawing and painting and making art from a young age but this course also has so much to offer to people who have toyed with the idea of learning to paint but just never actually started.  It is equally perfect for those of you that are wanting to take a leap into the unknown, or those that are already artists but need a large dose of inspiration! 

At the time of writing this, Flora is celebrating the one year anniversary of her website with a week of giveaways and special offers!  (Yes, she is kind of cool like that!). And what amazing offers they are!  You can now sign up for Bloom True at a significantly reduced price!!!  There are only a couple of days left though, so if you're on the fence just DO IT!  I promise you won't regret it!!!

Flora also has a monthly subscription offering called Studio Diaries.  Each month she takes on a new topic such as "Finding Your Style" or "Making Peace With Your Inner Critic" and provides videos, interviews and exercises based around the theme.   These are the perfect companion to the e-course (in my opinion it is better to do the course first), and can be bought on a one-off basis or you can sign up to get them at a reduced price.  As part of her week of giveaways you can get a Studio Diary of your choice for FREE!  (Seriously, what are you waiting for!?)

As you may have gathered by now I am a HUGE Flora-fan!  But don't take my word for it - go to her website and have a look for yourself ( https://florabowley.com/ ) !

P.S.  Flora, if you happen to be reading this and you ever find yourself in Dubai please let me know because I'd love to say hi! ;) (that rhyming was so unintentional, but I'm just going to go with it!) 

As always, if you have any questions, comments or suggestions then I'd love to hear from you! 

Sara xo

The Metamorphosis of a Painting.

​             Great things are done by a series of small things brought together.” ~Vincent Van Gogh

Hello and welcome back!  I can't believe it's September already!  (Seriously, where did the summer go!?!)

I have been working really hard, and thought it might be interesting to show you how I take a painting from its early stages to what I consider to be finished.  This is sort of a journey into my mind, and all the madness that goes through it while I work!  I've tried my hardest to break up the process into logical steps so that it makes some sort of sense - this is of course a condensed version, but I hope it gives you an idea of how I work and possibly some inspiration to try things that may be new for you.

1. Setting intention

Plain white canvas ahhhhh!  I've spoken previously about how scary this can be.  Good scary (because of the countless opportunities it presents!!) but scary nonetheless!   I've described how I like to cover the canvas in one flat colour or coloured ground, but lately I've been trying something new.  I love the idea of not only sending a piece of myself out into the world but setting the tone or intention of a painting.  I feel that the world could do with as much love and peace that we can put out there, so I write these words onto the canvas before I start (I do this in pencil, marker or even paint, whatever is on hand).  These words will eventually get totally covered up, but I like the idea of almost infusing the canvas with these sentiments (words have power!).

2. Covering the canvas with colour

​The next stage for me is all about covering the canvas with colour. I find big empty white spaces sort of daunting so this is all about me letting go and playing with paint (besides white can always be added later!). There is no rule about what colours I start with, I've just broken the colour groups up here in the next few photos so that you can see things more clearly. This is a great opportunity for me to experiment with colours that I wouldn't normally choose and to really loosen up.​

3. Introducing more colour

These stages are not pretty, and they're not meant to be really. It's all about activating the canvas with colour and energy. I get to play with paint and be reminded about why I love it so much. This part of the process might not be the most aesthetically pleasing, BUT they are the most fun! I am an intuitive painter, which means that I have no plan about where a painting is going to go in terms of colour or subject matter. I let the paint and the experience lead me where it will. It is truly liberating!​

As you can see from pictures 2 and 3 this is where I experiment with all my different tools, trying out different marks (I love using my fingers, and paint a lot with my hands!). I also flip the canvas around multiple times to give me a completely different perspective on what's happening.​

On the subject of tools - bubble wrap is literally the greatest thing ever! (You can see I've used different sizes of it here in picture 4.).​

4. Quitening down the painting, and incorporating a colour theme

At this stage my aim is to quieten down some of the noise, and commit to more of a colour theme. Teal and turquoise are some of my most favourite colours and so inevitably played a big part in this piece.

Again I had no plan, even at this point. I suppose on some level I was covering up areas that perhaps weren't doing it for me as much, and thereby leaving the areas that were working for me to shine through. I also added white back in to really provide a contrast to some of the louder colours.

5. Trying out shapes or visual focal points

​Here in picture 5 you can see I've covered up a lot of the canvas with those teals. It's a bit difficult to see in pictures, but none of those underlying layers are 'lost'. If anything, I believe they add so much depth and texture to the layers that are added ontop.

6. More tweaking

This is a pretty good example of the fact that I am still constantly incorporating more layers - drip marks are also one of my favourite things to add (way up there with bubble-wrap!), I love how they are so fluid and to me they bring a sort of cohesion to a piece that can't always be achieved simply by painting.

If you've been following me on Instagram or Facebook you'll know that I've been going through something of a circle phase! And here you can see I'm playing around with adding them into my piece.

​In picture 6 I'm really beginning to feel like the painting is coming together. Again, I'm still layering, and I've changed the colour of the circles, but the piece overall is beginning to make more sense to me.

Tip: this is also a great stage to really darken your darks and lighten your lights. Contrast is always good.

You can see here that I've covered over some of those jumpy lines. They were annoying me because they weren't as straight as I would have liked (I do everything freehand and in the moment, so things don't always turn out percect!).

7. Final stages - everything is better with a bit of gold

And here is the final painting! If you look at the previous picture you'll see that although things were coming together, there just needed a pop of something new to really finish it off. Gold always manages to do this for me! (When in doubt, add gold! Seriously!). In this case it adds a whole new layer but also very subtley moves your eyes around the canvas (so they don't get stuck in any one place). The gold I've added is minimal in terms of the scale of the piece, but to me it's just what this canvas needed. I have also toned down the teals/turquoises with purples, which I feel creates a unity or cohesion within the piece.​

8. A closer look at texture

​I've added these last couple of pictures (8&9) to show you some close-ups of the piece that I have been walking you through.

I've just posted this picture (8) on Instagram because although it has no obvious visual elements I love the textures that are coming through as a result of all the layers. I have a slight obsession with rust (and all the colours and textures that it can create) and I really feel like you can get a sense of this here. I always find it amazing how the things that inspire us subliminally make their way into our work!

9. A closer look at some of the detail

Picture 9 is another close-up where you can really get a sense of the mutliple layers that make up this painting. There's etching, brushmarks, drip-marks and bubble-wrap coming through in varying degrees. With of course the gold shining on top. But there are still parts (like the area within the circle) that are still coming through from some of the original layers.

Below (picture 10) is a look at the painting in situ. It's sometimes difficult to imagine how a piece might look actually displayed on a wall. (The 'Shoot & Sell' app is great for that.)

This piece is a large (48" x 48" my largest piece to date!) canvas which I've decided to name Metamorphosis because I feel it truly demonstrates the dynamic journey that I am on as an artist.

I hope you've enjoyed reading this post and finding out a little bit about how I work. I am very much still on my 'journey' as an artist and I'm sure that my way of working will also evolve with me as I grow and learn new things. Thank you for being a part of this adventure!

As always questions, comments and suggestions are always welcome.

Sara xo

10. The final piece in situ (using the Shoot & Sell app)

How the iPad Pro + Apple Pencil + Procreate App changed my life!

I cannot speak highly enough about the iPad Pro, Apple Pencil and Procreate App - so thought they deserved a post all of their own!  Just to note: I won't be going into any technical aspects as all that information can already be found on the Internet.  I just mainly wanted to talk about these things from an artists perspective.

First lets start with the iPad Pro.  I've owned iPad's over the years, but if I'm totally honest they just didn't do it for me.  I could do everything I needed to do on my iPhone or iMac and so the previous generations of iPad's just didn't rock my world!  UNTIL the iPad Pro!!!  I needed something that was bigger and therefore easier to use than my iPhone (I almost never wear my glasses so size was a necessity) but smaller and more portable than my iMac.  The iPad Pro completely fits the bill for me.  I can check Facebook, Google, and Instagram, watch movies, listen to music, edit photos as well as write blog posts and update my website.  It basically does everything I need whether I am at home or running around town.

Procreate App icon

And then we come to the Apple Pencil.  I didn't initially buy this when I first bought the iPad.  I confess that I was one of those purist snobs that believed nothing could replicate the feeling of a real pencil gliding across a piece of blank white paper.  That digital art was a whole other 'thing' that had nothing to do with me because I am an 'artist'!  Hah!  How wrong I was!  I think it's important to mention at this point that using the Apple pencil feels nothing like a real pencil on paper (and does take a while to get used to), BUT once you get over that, WOW!

Procreate: I just can't possibly express how much I love this app!  I know I'm not even using it to half of its capabilities but it has literally changed the way that I work.  (When I think of all the moutains of paper that I have ended up wasting over the years...but no more!)  From what I can remember the app costs about 20AED from the app store (roughly $6 or £4) which is an absolute steal!  I would quite happily pay a LOT more for this app!

Just a small fraction of the brushes available for use on the app

Digital art is a whole other form of art of which I confess to know very little.  I use the app mainly to sketch.  With the app I can play around with colours, brushes and textures without making any mess!  And (the greatest thing EVER!) if I don't like something I've done I just hit delete!  Gone are the days when I had to rub out something and re-draw it a million times!  I can also blur and blend, zoom in and out to work on specific areas, as well as copy/cut sections, move them around, flip them over or change their size.  

Once you've finished a piece you can then export the file in a variety of different formats (jpeg, psd, pro, pdf etc.) depending on whether you want to print it out or save to your camera roll.  Another AMAZING feature is called 'instant replay'.  The app basically records every single one of your brushstrokes and can then play this back to you sort of like a timelapse video.  I adore this feature, and find it so interesting to see how a piece has evolved from start to finish.

With Procreate  you can also work with 'layers'.  This was a completely new concept for me, and one that I am still very much a beginner at.  But when used correctly it is amazing!  Try to imagine your piece of work like an onion, made up of lots of different layers.  So, for example, your intial sketch or outline might be on layer one, the background might be on another layer, and the colour might have a layer of its own.  (This is a VERY simplified description, you can in reality use hundreds of layers!)  By working in this way you can make bold moves, or experiment with different ideas without compromising the work on other layers.  This is so liberating, and unlike less-forgiving mediums like ink, crayons and even certain paints you can get rid of things that aren't working without losing the areas that are.

My Apple Pencil and modified glove

I have made some small adaptations to the way that I work on my iPad.  (These are purely personal, and have been done just to make the experience more comfortable).  You may have noticed that my Apple Pencil looks a bit different to how it comes in the box.  This is just a decal/sticker that I bought online.  I also added a 'grip' to my pencil.  You can go out and buy a fancy one, but I literally just pulled one off an old ballpoint pen.  I also don't like the feeling of the side of my palm pressing on the screen as I draw, and feel that my hand doesn't move around as easily.  So I modified a cotton glove by cutting off the tips of the fingers you use to hold a pencil.

The ease of using these devices has not only changed my life, but also the way that I travel.  I used to take sketchbooks and pencils, and erasers and sharpeners etc. etc. etc. with me just in case inspiration struck!  But not anymore.  The iPad Pro + Apple Pencil + Procreate app are literally ALL that I need. 

I hope you've enjoyed reading about my experiences.  Please know that I am by NO means an expert; I am just happy to share a little more information on some of the things that I love, and the way that I like to work.  As always, if you have any comments, questions or suggestions please feel free to get in touch.

Sara xo

*Below are some drawings I've done using all the tools mentioned in this post